

Birdman is Black Swan for theatre: a washed-up superhero actor gambles everything on one Broadway play as his sense of reality starts to fracture.
A washed-up superhero actor attempts a Broadway comeback while battling his ego and a ghost from his past. Shot in a single, breathless take, it plunges you into the claustrophobic anxiety of an artist desperate to soar one last time.
Director: Alejandro G. Iñárritu
Starring: Michael Keaton, Edward Norton
Budget: $18 million
Box Office: $103.2 million
Contains: Mature Content
Common questions about Birdman and this psychological descent into artistic obsession.
It is both. The voice represents Riggan’s ego and his past commercial success. It taunts him for trying to be a 'serious artist,' tempting him to return to shallow fame. Like the 'Dark Nina' in Black Swan, it is an internal shadow that becomes more powerful as the pressure of the performance increases.
The continuous take mimics the unceasing, claustrophobic pressure of a Broadway play. There are no 'cuts' in real life or on stage. It forces the audience to feel Riggan’s anxiety as he navigates the narrow hallways of the theater, mirroring the mental trap of his own making.
Riggan replaces a prop gun with a real one and shoots himself on stage. He realizes that the only way to achieve 'absolute' truth in art is through real blood. Ironically, this act of self-destruction brings him the critical acclaim he spent his life chasing. It validates the 'Black Swan' theory: perfection requires total sacrifice.
When Sam (Emma Stone) looks up at the window and smiles, it suggests that Riggan has finally 'flown.' Whether this is a literal supernatural event or a metaphor for him finding peace in death, it indicates that he finally transcended his ego. He is no longer 'Birdman'; he is finally free.
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Curated by Filmiway Editorial Team
Expert analysis of psychological thrillers