

Updates the "Secret Society" trope for the modern era, replacing the occult with a terrifying racial commodification by the liberal elite.
A young Black man uncovers a terrifying secret when he visits his white girlfriend's family estate. Peele's razor-sharp social thriller weaponizes the 'Sunken Place' as a metaphor for racial oppression and cultural erasure.
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Catherine Keener
Budget: $4.5 million
Box Office: $255.4 million
Get Out: No sexual content or graphic scenes present in this film.
Common questions about Get Out and its exploration of secret societies, paranoia, and the occult elite.
The Armitages and their friends are a modern version of the EWS coven. They are wealthy, 'liberal' elites who use their status to lure in victims for a ritualistic purpose. Instead of a masked ball, they have a garden party and an auction. They represent the polite, smiling face of systemic, predatory power.
It represents the total loss of agency. It is a psychological prison where the victim can see everything but control nothing. This is the ultimate dream of the elite: to take the bodies and lives of the 'lesser' classes while erasing their consciousness. It is the most extreme form of commodification of the human being.
They want his physical attributes—his eyes, his strength, his 'coolness.' It is a form of cultural and literal cannibalism. Like the elite in Society who merge bodies, the EWS-style elite in Get Out want to inhabit the lives of others to maintain their own sense of relevance and immortality through a scientific occult ritual.
These are the symbols of old-money elite power. Using a domestic, refined object like a silver spoon to perform high-level hypnosis is a brilliant metaphor for how the elite use their 'refinement' as a weapon of control. It suggests that the higher the social class, the more dangerous their tools of subjugation become.
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Curated by Filmiway Editorial Team
Expert analysis of secret societies in cinema