

The Housemaid exposes sexual exploitation as class exploitation. The wealthy sexually abuse workers with impunity, leaving revenge as the only justice.
Eun-yi is hired as a housemaid for a wealthy family. When the husband seduces her and she becomes pregnant, the family's facade shatters. Im Sang-soo's erotic thriller exposes the violence lurking beneath wealth.
Director: Im Sang-soo
Starring: Jeon Do-yeon, Lee Jung-jae, Youn Yuh-jung
Budget: $3 million
Box Office: $7.7 million
Contains: Mature Content
Common questions about The Housemaid and its exploration of class warfare and social inequality.
Bong Joon Ho cites this 1960 classic as his biggest influence. Both films feature a working-class intruder entering a wealthy home, the use of stairs to represent social hierarchy, and a domestic space turning into a battlefield. It established the 'home invasion' genre in Korean cinema.
She is the ultimate 'Femme Fatale' and a symbol of class disruption. She enters the bourgeois home and systematically dismantles the nuclear family through seduction and manipulation. She represents the repressed chaotic forces that the rigid, middle-class society tries to keep out.
Rat poison is a recurring motif representing the toxicity within the household. It is used to kill rats (pests/poor), but eventually becomes the weapon that destroys the family itself. It blurs the line between who is the pest and who is the homeowner.
The film ends with the husband addressing the audience, warning them about affairs, revealing the plot might have been a dream. This was likely forced by 1960s censors to uphold moral standards. Modern viewers often ignore this meta-ending, focusing on the bleak destruction that preceded it.
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Curated by Filmiway Editorial Team
Expert analysis of class warfare cinema