

Shoplifters asks: what makes a family? The marginalized must steal to survive while society abandons them, criminalizing poverty while ignoring neglect.
On the margins of Tokyo, the Shibata family survives through petty shoplifting. When they take in an abused girl named Yuri, their fragile happiness grows—until authorities discover their secret. Kore-eda's Palme d'Or winner is a devastating portrait of Japan's invisible underclass.
Director: Hirokazu Kore-eda
Starring: Lily Franky, Sakura Ando, Mayu Matsuoka
Budget: $8.2 million
Box Office: $68.2 million
Contains: Mature Content, Nudity/Sexual Content
Common questions about Shoplifters and its exploration of class warfare and social inequality.
The title suggests a film about criminals, but the story reveals a tender, loving family unit. The irony is that this 'fake' family, bonded by crime and choice, shows more genuine love and care than the 'real' biological families that abused and abandoned these characters.
Grandma Hatsue is the financial anchor (via her pension) and the emotional center. Her home provides a sanctuary for society's castaways. Her character challenges the concept of blood relation, suggesting that shared survival and kindness create stronger bonds than genetics.
It is a tragedy disguised as order. The law separates the family and returns the children to their 'rightful' but abusive or neglectful environments. The film critiques a society that values legal definitions of family over actual well-being, showing how the 'system' destroys the only safety these characters had.
It exposes the 'invisible' poverty in a wealthy nation. The Shibatas work hard but can't survive without stealing. It critiques the social safety net that lets children and the elderly slip through the cracks, forcing them to form alternative, illegal communities just to survive.
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Curated by Filmiway Editorial Team
Expert analysis of class warfare cinema